Download Chase Font Family Style
Download Chase Font Family
family of 1 font from Device
Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard.
family of 1 font from Device
Type that preserves the over- and under-inked textures of true old-fashioned wood faces, now available without ink on your fingers straight from your keyboard.
family of 20 fonts from Bitstream
Bitstream Charter, was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and lack of excessive diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional.
family of 20 fonts from Bitstream
Bitstream Charter, was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and lack of excessive diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional.
family of 1 font from Jelloween
Sexy pixelfont that's perfect for small print
family of 1 font from Jelloween
Sexy pixelfont that's perfect for small print
family of 1 font from Hanoded
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side
Charon’s Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side

Looking for a fun, offbeat, and fantastic font? Charming Charlie is here to fit the bill!
Inspired by an old poster for the film Charlie Chan in Egypt, comes this playfully plump, soft-edged sans serif font to sweep you off your feet.
The Contextual Alternates feature in this font automatically alternates between the Capitals and alternate Capitals of the font to mix things up a bit and keep your type-settings lively.
Charmante is a sans-serif handwritten typeface created & published by Juraj Chrastina that has two styles (Regular & Bold), it is perfect for wedding cards, greeting cards, cafe or restaurant menus etc.
Download Charmante Font
Foundry:Juraj Chrastina
Formats:Open Type OTF
Glyphs:Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Turkish, Romanian
Licence:Desktop, Webfonts, App, eBooks, Server
Released:2013
Price:both fonts $ 41,30; $ 59,00
Charmante is a trademark of Juraj Chrastina
Charmante is a sans-serif handwritten typeface created & published by Juraj Chrastina that has two styles (Regular & Bold), it is perfect for wedding cards, greeting cards, cafe or restaurant menus etc.
Download Charmante Font
Foundry:Juraj Chrastina
Formats:Open Type OTF
Glyphs:Basic latin/English letters, West European diacritics,Euro, Ligatures, Central Europe, Turkish, Romanian
Licence:Desktop, Webfonts, App, eBooks, Server
Released:2013
Price:both fonts $ 41,30; $ 59,00
Charmante is a trademark of Juraj Chrastina

Charlotte is the work of designer Michael Gills, a clean modern face type. It is perfect for almost any text application and particularly effective in bringing across a formal atmosphere. Charlotte is available in both serif and sans serif typeface families, matched in both color and style.
Charlotte is the work of designer Michael Gills, a clean modern face type. It is perfect for almost any text application and particularly effective in bringing across a formal atmosphere. Charlotte is available in both serif and sans serif typeface families, matched in both color and style.
family of 4 fonts from YOFF
A cozy “color me” font in two versions hollow and black also included are two smoothed versions.
family of 4 fonts from YOFF
A cozy “color me” font in two versions hollow and black also included are two smoothed versions.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonalds and an all-you-can-eat buffet that took over a closed down Pizza Hut.
Charlies BarBQ JNL is Jeff Levines homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida...
More…
A true American success story, but with a sad ending. Charlie’s closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonalds and an all-you-can-eat buffet that took over a closed down Pizza Hut.
Charlies BarBQ JNL is Jeff Levines homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida...
More…
A true American success story, but with a sad ending. Charlie’s closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.
Charliedog is a font made of various dogs.
It’s ideal for graphics works like posters, flyers and similar.
Charliedog is a font made of various dogs.
It’s ideal for graphics works like posters, flyers and similar.
family of 1 font from Type Associates
Based on hand-lettered poster styles of the twenties and thirties, Charleston evokes a mood of flapper-era nostalgia.

Charisma was inspired by the hand lettering used by draftsmen and architects. It is casual and informal and is ideal for use in conveying these qualities. It is excellent for casual text and at large sizes an effective casual display font.
The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

Charisma was inspired by the hand lettering used by draftsmen and architects. It is casual and informal and is ideal for use in conveying these qualities. It is excellent for casual text and at large sizes an effective casual display font.
The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

A beautiful text font that works equally well as a headline font, great for books and magazines.
Available with matching Italic.

A large and rare undertaking, Charcuterie is a family of ten distinct yet related typefaces, many of which have their own font families, and three decorative/ornamental typefaces.
While most of the Charcuterie typefaces are outfitted with a standard character set, Charcuterie Engraved features 135 swash alternates and Charcuterie Cursive boasts 275.
Charcuterie Frames offers a broad and endless approach to creating frames of any width, height and style.
Featuring 60 corner elements and 20 top, bottom and side pieces along with a detailed Users Guide on how to construct the frames. More…
Charcuterie Catchwords features nine different styles for a total of 82 glyphs.
Charcuterie Ornaments is very practical and features 100 glyphs a vast array of arrows, brackets, rules, icons, ribbons and more.
This ambitious, yet accessible, set offers a virtually endless series of combinations, allowing each designer to form a tasty platter of ingredients, one that is uniquely theirs, for each project.
Used solo or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. Dig deep into each typeface to find a rich set of fonts (the number depending on the typeface), revealing variations upon variations.
The word charcuterie means the preparation of meats.
Today, it often refers to a wide and varied selection of meats served together, listed as a single, beautiful, and complex menu item.
Charcuterie celebrates the personally craftedthe sense of the human touch giving it a slightly rough edge that only adds to its charm.
The roughness derives from a slight stressing and small irregularities in some fonts. This bit of unevenness doesn't dominate the lookit’s simply the personality and humanity of the type designer cooked into the final piece.
Charcuterie is an homage to the inventiveness, passion, and care of peasants who proudly handed down recipes through generations.
Their humble fare is used by bistro chefs to create masterpieces by ever so slightly transforming the simple into the sumptuous. Similarly, with Charcuterie the designer can employ the handcrafted look of the many letters within these font families to create a project that is jaunty, quirky, and juicy or one that is a gloriously rich and varied feast for the eyes.
The family of Charcuterie is a bit reminiscent of early 1900s styling, not precisely Bauhaus or Art Deco, not a revival, but an imagined restoration based on memory, captured from novels and movies set in Paris, a modern echo of collections of impressions of a time when people strolled along and stopped to read a French bistro chalkboard menu drawn with letters that resemble Charcuterie.
It was a way of living, of enjoying the food of the well-considered choices of the trained, experienced bistro chef, of sipping local wines and basking in the warmth of chatting with friends on leisurely weekends, sitting at little tables and observing the passersby.
Charcuterie is a smorgasbord of delightful type inspired by our sense of a happy time at a splendid table.
Charcuterie also serves to transcend a central taboo in our industrythat of mixing too many fonts in one page or project.
This forbidden act gained its unfortunate reputation from abuse and excess or simple inexperience. Charcuterie brings back a powerful tool for artfully tackling a project and retaining all the complexity the designer envisions.
It does all the heavy lifting, taking the guesswork out of combining typefaces and providing a set unified by the eye and hand of one type designer. Despite the multitude of font combinations available, there is a sense of harmony and continuity, just as the interior design world discovered that they could, indeed, combine plaids, stripes, and florals if they were based on a common thread: such as the same tones or intensities of hues.
The single hand that created Charcuterie imposes a sense of compatibility, despite how different the fonts initially appear to be. The further glue that holds this set together is the availability of font files, purchased separately, of decorative elements: Charcuterie Catchwords, Charcuterie Ornaments, and Charcuterie Frames (borders, corners, and frames).
If you'd prefer, purchase individual fonts within these typeface families.
Each is strong enough to stand on its own. However, using elements from many of these faces and fonts adds layers of textures and richness to your work, and with their infinite number of variations, flavors the work with your own talent and flair.
The entire family lends itself to experimentation, acting as a complete and complex toolbox, enabling you to work in extraordinarily varied ways within the subtle yet studied constraints of the collection as a whole.
Charcuterie Frames, Engraved and Cursive work best with Open Type savvy applications.

A large and rare undertaking, Charcuterie is a family of ten distinct yet related typefaces, many of which have their own font families, and three decorative/ornamental typefaces.
While most of the Charcuterie typefaces are outfitted with a standard character set, Charcuterie Engraved features 135 swash alternates and Charcuterie Cursive boasts 275.
Charcuterie Frames offers a broad and endless approach to creating frames of any width, height and style.
Featuring 60 corner elements and 20 top, bottom and side pieces along with a detailed Users Guide on how to construct the frames. More…
Charcuterie Catchwords features nine different styles for a total of 82 glyphs.
Charcuterie Ornaments is very practical and features 100 glyphs a vast array of arrows, brackets, rules, icons, ribbons and more.
This ambitious, yet accessible, set offers a virtually endless series of combinations, allowing each designer to form a tasty platter of ingredients, one that is uniquely theirs, for each project.
Used solo or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. Dig deep into each typeface to find a rich set of fonts (the number depending on the typeface), revealing variations upon variations.
The word charcuterie means the preparation of meats.
Today, it often refers to a wide and varied selection of meats served together, listed as a single, beautiful, and complex menu item.
Charcuterie celebrates the personally craftedthe sense of the human touch giving it a slightly rough edge that only adds to its charm.
The roughness derives from a slight stressing and small irregularities in some fonts. This bit of unevenness doesn't dominate the lookit’s simply the personality and humanity of the type designer cooked into the final piece.
Charcuterie is an homage to the inventiveness, passion, and care of peasants who proudly handed down recipes through generations.
Their humble fare is used by bistro chefs to create masterpieces by ever so slightly transforming the simple into the sumptuous. Similarly, with Charcuterie the designer can employ the handcrafted look of the many letters within these font families to create a project that is jaunty, quirky, and juicy or one that is a gloriously rich and varied feast for the eyes.
The family of Charcuterie is a bit reminiscent of early 1900s styling, not precisely Bauhaus or Art Deco, not a revival, but an imagined restoration based on memory, captured from novels and movies set in Paris, a modern echo of collections of impressions of a time when people strolled along and stopped to read a French bistro chalkboard menu drawn with letters that resemble Charcuterie.
It was a way of living, of enjoying the food of the well-considered choices of the trained, experienced bistro chef, of sipping local wines and basking in the warmth of chatting with friends on leisurely weekends, sitting at little tables and observing the passersby.
Charcuterie is a smorgasbord of delightful type inspired by our sense of a happy time at a splendid table.
Charcuterie also serves to transcend a central taboo in our industrythat of mixing too many fonts in one page or project.
This forbidden act gained its unfortunate reputation from abuse and excess or simple inexperience. Charcuterie brings back a powerful tool for artfully tackling a project and retaining all the complexity the designer envisions.
It does all the heavy lifting, taking the guesswork out of combining typefaces and providing a set unified by the eye and hand of one type designer. Despite the multitude of font combinations available, there is a sense of harmony and continuity, just as the interior design world discovered that they could, indeed, combine plaids, stripes, and florals if they were based on a common thread: such as the same tones or intensities of hues.
The single hand that created Charcuterie imposes a sense of compatibility, despite how different the fonts initially appear to be. The further glue that holds this set together is the availability of font files, purchased separately, of decorative elements: Charcuterie Catchwords, Charcuterie Ornaments, and Charcuterie Frames (borders, corners, and frames).
If you'd prefer, purchase individual fonts within these typeface families.
Each is strong enough to stand on its own. However, using elements from many of these faces and fonts adds layers of textures and richness to your work, and with their infinite number of variations, flavors the work with your own talent and flair.
The entire family lends itself to experimentation, acting as a complete and complex toolbox, enabling you to work in extraordinarily varied ways within the subtle yet studied constraints of the collection as a whole.
Charcuterie Frames, Engraved and Cursive work best with Open Type savvy applications.

Charbroiled is a charred, antiqued font based on American Italic from 1902.