Contessa is the new face of fashion. Destined to make its appearance on the covers of the glossy style magazines, Contessa is a strikingly geometric sans serif with a just hint of Art Deco elegance: a bold fashion statement if ever there was one.
Ideal as a display face for feature titles and ad headlines, its simplicity also makes it versatile enough for use as a distinctive text face
family of 4 fonts from Hackberry
Contax Sans is a contemporary typeface design based on generous proportions and clean crisp linesmaking it ideal for long lines of copy and easy reading. It was modeled after and based on one of his most popular new geometric font families Contax Pro. Similar to the proportions and overall spacing of Contax, the new Contax Sans incorporates subtle thick and thin stem variations reminiscent of Hermann Zapf’s Optima family of fonts.
The new typeface series shares all the best aspects of Contax Pro, but is a more delicate and elegant interpretation of the original grotesque and can easily be used in conjunction with or separately for a multitude of typographic solutions.
Contax Sans is a contemporary typeface design based on generous proportions and clean crisp linesmaking it ideal for long lines of copy and easy reading. It was modeled after and based on one of his most popular new geometric font families Contax Pro. Similar to the proportions and overall spacing of Contax, the new Contax Sans incorporates subtle thick and thin stem variations reminiscent of Hermann Zapf’s Optima family of fonts.
The new typeface series shares all the best aspects of Contax Pro, but is a more delicate and elegant interpretation of the original grotesque and can easily be used in conjunction with or separately for a multitude of typographic solutions.
Vowels produce 'end-characters'. These are used whenever a string of symbols start or end.
Consonants make 'middle-characters'.
Numerals are zero-width characters. these can be used whenever you feel like it, they will float above and below the string of symbols. Puncuation adds extra spice.
Hold down ‘shift’ and you get the individual symbols mirrored. (very useful with the vowels.) More…
Vowels produce 'end-characters'. These are used whenever a string of symbols start or end.
Consonants make 'middle-characters'.
Numerals are zero-width characters. these can be used whenever you feel like it, they will float above and below the string of symbols. Puncuation adds extra spice.
Hold down ‘shift’ and you get the individual symbols mirrored. (very useful with the vowels.) More…
family of 4 fonts from Typodermic
Containment is a multilayered font system for creating headlines with fizz, gravel, snow, sand etc. With Containment, you get four fonts: A plain layer, a shadow layer, a crunchy-little-dots layer and a mix of all three. Looking for a companion font for Containment? Try Tandelle.
family of 4 fonts from Typodermic
Containment is a multilayered font system for creating headlines with fizz, gravel, snow, sand etc. With Containment, you get four fonts: A plain layer, a shadow layer, a crunchy-little-dots layer and a mix of all three. Looking for a companion font for Containment? Try Tandelle.
font family
Consul Typewriter Pro is a modern OpenType font family reviving the look of old typewriters. Its carefully converterd forms are detailed enough even for high pointsizes while keeping a reasonable number of outline points. You can choose from four different weights and its extended character set includes even formerly unknown glyphs (@). Consul also contains a number of Stylistic alternates, randomly replaced alternative letters to avoid the repetition of letters in a word. As a true typewriter, this font is essentially monospaced, but you can actually set proportional alternates to achieve more balanced look. Consul Pro is a versatile typeface and is perfectly legible even at small sizes and on-screen, however when printed it looks best at its original size around 1112 pt. All four weights share identical widths and fonts are mutually compatible. Consul supports many OpenType features and offers great multilingual support for almost all Latin-based languages. Feel free to download the detailed PDF Specimen.
Consuelo is a typeface created by Eli Hernndez and published by Latinotype that was inspired by brush strokes and it comes with a set of four variants plus their italics and a set of ornaments. It was designed to be suitable to text, titles, magazine, logo etc.
Foundry: Latinotype
Formats: Open Type OTF
Glyphs: Basic Latin/English letters; Only available in some of style in this family: Any Open Type Features, West European diacritics, Euro, Ligatures,Open Type Alternates
Licence:Desktop, Webfont, App, eBook, Server
Released: 2014
Price:all 9fonts $159,00
Construkt is a unicase hybrid headline typeface characterized by its sleek curves and extended forms.
The family of 3 weights and alternative characters allow for greater versatility and a variety of upper and lowercase effects.
Construkt is a unicase hybrid headline typeface characterized by its sleek curves and extended forms.
The family of 3 weights and alternative characters allow for greater versatility and a variety of upper and lowercase effects.
The straight-sided form of condensed Geometric slab-serif, Font Bureau Constructa provides a stronger and more geometric form than the customary design.
This crisp series is based on Morris Fuller Bentons lone font Tower, released by ATF in 1934 as an alternative to the soft curves in Stymie Condensed.
Constructa Thin and Black finally make a useful series, projected from Tower itself by Elizabeth Cory Holzman. More…
The straight-sided form of condensed Geometric slab-serif, Font Bureau Constructa provides a stronger and more geometric form than the customary design.
This crisp series is based on Morris Fuller Bentons lone font Tower, released by ATF in 1934 as an alternative to the soft curves in Stymie Condensed.
Constructa Thin and Black finally make a useful series, projected from Tower itself by Elizabeth Cory Holzman. More…
Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles.
This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .
Constanze Pro - an elegant, legible, multilingual script font, based on formerKlingspor hot-metal letters.
family of 1 font from Autographis
Constanza is a joining high-contrast-script, extreme ascenders and descenders for added personality some descenders swing under its neighboring letters.
family of 1 font from Autographis
Constanza is a joining high-contrast-script, extreme ascenders and descenders for added personality some descenders swing under its neighboring letters.
family of 1 font from Pedro Teixeira
Constantine is a clean, geometric sans-serif created with an obvious use in mind - logos. It is a clear, easy to read font. Its wide characters have a very modern appeal.
Designed by John Renner for Adobe Systems in 1990, Cheq is intended primarily for diagramming chessboard layouts. Consisting mainly of symbols for black and white chess pieces on both white and shaded backgrounds, Cheq also contains plain white and shaded squares, as well as line symbols for creating a solid border around the chessboard.
Designed by John Renner for Adobe Systems in 1990, Cheq is intended primarily for diagramming chessboard layouts. Consisting mainly of symbols for black and white chess pieces on both white and shaded backgrounds, Cheq also contains plain white and shaded squares, as well as line symbols for creating a solid border around the chessboard.
family of 1 font from PizzaDude.dk
A grunge font that comes with different upper- and lowercase, alternate letters and ligatures for both double numbers and double letters - and on top of that, unique accented characters!
Where most typefaces are designed by just one individual, quite a few people have been involved in perfecting Cheltenham over the times. In 1896, the architect Bertram Grosvenor Goodhue created the initial design for Ingalls Kimball at the Cheltenham Press.
Just a few years later, Morris Fuller Benton devised a full family of Cheltenhams for ATF. This is the basis of the design we have today.
In 1975, Tony Stan revived this classic typeface and did what was customary at the time: increase the x-height and make the Cheltenham family more regular.
SoftMaker updated the design yet again in 2012. The result is Cheltenham Pro, a typeface that is exceptionally readable and holds up even in adverse printing conditions. More…
It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.
Where most typefaces are designed by just one individual, quite a few people have been involved in perfecting Cheltenham over the times. In 1896, the architect Bertram Grosvenor Goodhue created the initial design for Ingalls Kimball at the Cheltenham Press.
Just a few years later, Morris Fuller Benton devised a full family of Cheltenhams for ATF. This is the basis of the design we have today.
In 1975, Tony Stan revived this classic typeface and did what was customary at the time: increase the x-height and make the Cheltenham family more regular.
SoftMaker updated the design yet again in 2012. The result is Cheltenham Pro, a typeface that is exceptionally readable and holds up even in adverse printing conditions. More…
It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.
