Download Elizabeth ND Font Family
Download Elizabeth ND Font Family
family of 3 fonts from Neufville Digital
family of 3 fonts from Neufville Digital
family of 3 fonts from Neufville Digital
family of 2 fonts from ParaType
The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?).
Inspired by handwritten roman lettering, Elisabeth maintains a classic antique appearance but its rough edges lend an air of character and charm. Good looks aside, Elisabeth is technologically up to todays standards and works well in many applications. Use at larger sizes, headings, invitations, scrapbooking, menus and advertising.
font family
Elettra is a completely new type, primarily designed for display or titling. As you can see, Elettra adopting a transitional style between the nineteenth century printing typefaces and the new fonts at the beginning of the twentieth century: in particular serif are elongated, but the oblique or round shapes continuing softly on the horizontal line instead of staying vertical.
font family
Elettra is a completely new type, primarily designed for display or titling. As you can see, Elettra adopting a transitional style between the nineteenth century printing typefaces and the new fonts at the beginning of the twentieth century: in particular serif are elongated, but the oblique or round shapes continuing softly on the horizontal line instead of staying vertical.
family of 1 font from Nick's Fonts
This hefty little number is an amalgam of two typefaces from the Flower Power era, Dave Wests Elephant Gothic and Wayne Stettlers Neil Bold. Its an extrabold, sassy headline face that will get your message across, loud and clear.
family of 1 font from Nick's Fonts
This hefty little number is an amalgam of two typefaces from the Flower Power era, Dave Wests Elephant Gothic and Wayne Stettlers Neil Bold. Its an extrabold, sassy headline face that will get your message across, loud and clear.
family of 8 fonts from Comicraft
Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights!
family of 8 fonts from Comicraft
Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights!

A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in drawing type with a pen or cutting from a block of wood.
Other grot types retain the quirks of original woodcut typefaces. Elephant has a different vocabulary of quirks that remove it from being too reverential or constrained to a historic context.

A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in drawing type with a pen or cutting from a block of wood.
Other grot types retain the quirks of original woodcut typefaces. Elephant has a different vocabulary of quirks that remove it from being too reverential or constrained to a historic context.

Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might've been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville.
Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, italic, bold, and bold italic styles.

Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might've been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface, showing more restraint in its finer details than even Baskerville.
Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, italic, bold, and bold italic styles.
family of 8 fonts from Latinotype
Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines.
family of 1 font from BA Graphics
A very sophisticated formal design; great for packaging fine adds and many other applications.
family of 1 font from BA Graphics
A very sophisticated formal design; great for packaging fine adds and many other applications.

This typeface was created in 1972 and reworked by SoftMaker in 2010. Elegant Script Pro is perfect for invitations to weddings, celebrations, and dinner parties.
Elegant Script Pro comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters.
Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

This typeface was created in 1972 and reworked by SoftMaker in 2010. Elegant Script Pro is perfect for invitations to weddings, celebrations, and dinner parties.
Elegant Script Pro comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters.
Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.
Elegant Ornaments was inspired by typographic ornaments from historic sources. There is an assortment of 47 ornaments all located under the character set keys.
family of 1 font from Scholtz Fonts
Note: only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Designed to be fat, loud and heavy.

The inspiration for this typefaceoriginally called Elefantaenjoyed popularity stateside in the late nineteenth century, an import from the Karl Brendler & Shne foundry of Vienna. Its graceful yet playful elegance makes it suited for a wide range of projects where projecting warmth is desirable.
Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.
Designed in 1935 by William Addison Dwiggins, Electra has been a standard book typeface since its release because of its evenness of design and high legibility.
In the specimen book for Electra, Dwiggins himself points out the type's identifying characteristics:" The weighted top serifs of the straight letters of the lower case: that is a thing that occurs when you are making formal letters with a pen, writing quickly. And the flat way the curves get away from the straight stems: that is a speed product." More…
Electra is not only a fine text face but is equally responsive when set at display sizes, realizing Dwiggins' intent when he set about the design: "...if you don't get your type warm it will be just a smooth, commonplace, third-rate piece of good machine technique, no use at all for setting down warm human ideas, just a box full of rivets....I'd like to make it warm, so full of blood and personality that it would jump at you."
Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman.
Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression.
“Eleanor Handwriting” is a beautiful typeface that mimics true handwriting closely.
Use Eleanor Handwriting to create stunningly beautiful designs easily.
Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman.
Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression.
“Eleanor Handwriting” is a beautiful typeface that mimics true handwriting closely.
Use Eleanor Handwriting to create stunningly beautiful designs easily.