Download Countdown SH Font Family
family of 1 font from Scangraphic Digital Type Collection
family of 1 font from Scangraphic Digital Type Collection
family of 1 font from Ingrimayne Type
CoughingNails is a novelty font made up of cigarettes and an occasional match.
family of 1 font from Ingrimayne Type
CoughingNails is a novelty font made up of cigarettes and an occasional match.
A big fat face for big bold uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
A big fat face for big bold uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.
family of 1 font from Typodermic
Cotton is a mid-twentieth century style casual sans with a vintage t-shirt texture.
family of 1 font from Typodermic
Cotton is a mid-twentieth century style casual sans with a vintage t-shirt texture.
Cotoris is beautiful glyphic sans serif.
This font includes ligatures and small caps for advanced typography. Highly effective where a graceful and feminine design is desired.
font family from Okaycat, added yesterday
Cosmos Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the cosmos is needed.
font family from Okaycat, added yesterday
Cosmos Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the cosmos is needed.
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader.
Jaeger said of type design, “To be sure we must appreciate the aesthetic quality of the individual character, the correct type style suited to the subject, but the text image should not push itself between the message and the reader. Type must serve.”
Cosmos is useful for short passages, signage and display work.
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader.
Jaeger said of type design, “To be sure we must appreciate the aesthetic quality of the individual character, the correct type style suited to the subject, but the text image should not push itself between the message and the reader. Type must serve.”
Cosmos is useful for short passages, signage and display work.
family of 2 fonts from Greater Albion Typefounders
Corvone is a heavy bull-nosed display family, inspired by the post war era's ideas of modernity. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.
family of 4 fonts from Cubo Fonts
Cortex was designed for Shanghai Word Expo 2010 / A.A.D.I Pavilion corporate identity: signage, corporate communication, graphic design (a 120 pages monography), promotional items, etc. It was inspired by the pavilion “slanted” architectural concept, and had to fit the famous chinese “YOUYUAN” typeface as well.
family of 4 fonts from Cubo Fonts
Cortex was designed for Shanghai Word Expo 2010 / A.A.D.I Pavilion corporate identity: signage, corporate communication, graphic design (a 120 pages monography), promotional items, etc. It was inspired by the pavilion “slanted” architectural concept, and had to fit the famous chinese “YOUYUAN” typeface as well.

Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The design seeks to be reminiscent of classic 20th century grotesques with a crisp modern appearance and opentype features that are now expected.
Coverage includes most Roman languages, Greek and basic Cyrillic. Each font contains a standard set of features including fractions, small capitals etc.
The family contains six weights, two widths and three lowercase size options, together with an italic variant for each.
The are three standard 4-font families for each size variant and a further three corresponding families for Condensed versions.
The versatility provided by this extensive family has many useful applications.
In particular, the choice of small, medium and large lowercase letter sizes (SX, MX, LX) allows designers to select an appropriate style for suitable impact and legibility in different situations such as headlines, captions, signage, web menus etc.
Although each of the three size options will work equally well in most situations, the middle size (Corsica MX) would generally be the preferred choice for lengthy texts.

Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The design seeks to be reminiscent of classic 20th century grotesques with a crisp modern appearance and opentype features that are now expected.
Coverage includes most Roman languages, Greek and basic Cyrillic. Each font contains a standard set of features including fractions, small capitals etc.
The family contains six weights, two widths and three lowercase size options, together with an italic variant for each.
The are three standard 4-font families for each size variant and a further three corresponding families for Condensed versions.
The versatility provided by this extensive family has many useful applications.
In particular, the choice of small, medium and large lowercase letter sizes (SX, MX, LX) allows designers to select an appropriate style for suitable impact and legibility in different situations such as headlines, captions, signage, web menus etc.
Although each of the three size options will work equally well in most situations, the middle size (Corsica MX) would generally be the preferred choice for lengthy texts.
family of 1 font from Intellecta Design

Corradine Handwriting is based in the handwriting of Manuel Corradine. Its numerous ligatures and stylistic alternatives give to the text a realistic handwriting appearance.

Corradine Handwriting is based in the handwriting of Manuel Corradine. Its numerous ligatures and stylistic alternatives give to the text a realistic handwriting appearance.
family of 10 fonts from URW++
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.
family of 10 fonts from URW++
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.
This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” More…
Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.
Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.
family of 1 font from Chank
A clean new vintage typewriter style.